Vodly The Godfather Movie

audience score 1537292 Votes

cast Al Pacino

Francis Ford Coppola

genre Drama

Brief The Godfather "Don" Vito Corleone is the head of the Corleone mafia family in New York. He is at the event of his daughter's wedding. Michael, Vito's youngest son and a decorated WW II Marine is also present at the wedding. Michael seems to be uninterested in being a part of the family business. Vito is a powerful man, and is kind to all those who give him respect but is ruthless against those who do not. But when a powerful and treacherous rival wants to sell drugs and needs the Don's influence for the same, Vito refuses to do it. What follows is a clash between Vito's fading old values and the new ways which may cause Michael to do the thing he was most reluctant in doing and wage a mob war against all the other mafia families which could tear the Corleone family apart

creator Mario Puzo

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Absolute masterpiece, Marlon brando's finest work as Vito. Truly iconic scenes swell. The godfather movie scenes. The godfather movie set. The godfather movie free. The godfather movie vex. Top Rated Movies #2 | Won 3 Oscars. Another 26 wins & 30 nominations. See more awards » Learn more More Like This Crime Drama 1 2 4 5 6 7 8 9 10 9 / 10 X The early life and career of Vito Corleone in 1920s New York City is portrayed, while his son, Michael, expands and tightens his grip on the family crime syndicate. Director: Francis Ford Coppola Stars: Al Pacino, Robert De Niro, Robert Duvall 9. 3 / 10 Two imprisoned men bond over a number of years, finding solace and eventual redemption through acts of common decency. Frank Darabont Tim Robbins, Morgan Freeman, Bob Gunton Action When the menace known as the Joker wreaks havoc and chaos on the people of Gotham, Batman must accept one of the greatest psychological and physical tests of his ability to fight injustice. Christopher Nolan Christian Bale, Heath Ledger, Aaron Eckhart 8. 9 / 10 The lives of two mob hitmen, a boxer, a gangster and his wife, and a pair of diner bandits intertwine in four tales of violence and redemption. Quentin Tarantino John Travolta, Uma Thurman, Samuel L. Jackson Romance 8. 8 / 10 The presidencies of Kennedy and Johnson, the events of Vietnam, Watergate and other historical events unfold through the perspective of an Alabama man with an IQ of 75, whose only desire is to be reunited with his childhood sweetheart. Robert Zemeckis Tom Hanks, Robin Wright, Gary Sinise An insomniac office worker and a devil-may-care soapmaker form an underground fight club that evolves into something much, much more. David Fincher Brad Pitt, Edward Norton, Meat Loaf Adventure Sci-Fi A thief who steals corporate secrets through the use of dream-sharing technology is given the inverse task of planting an idea into the mind of a C. E. O. Leonardo DiCaprio, Joseph Gordon-Levitt, Ellen Page Biography History In German-occupied Poland during World War II, industrialist Oskar Schindler gradually becomes concerned for his Jewish workforce after witnessing their persecution by the Nazis. Steven Spielberg Liam Neeson, Ralph Fiennes, Ben Kingsley Fantasy Gandalf and Aragorn lead the World of Men against Sauron's army to draw his gaze from Frodo and Sam as they approach Mount Doom with the One Ring. Peter Jackson Elijah Wood, Viggo Mortensen, Ian McKellen 8. 7 / 10 A computer hacker learns from mysterious rebels about the true nature of his reality and his role in the war against its controllers. Directors: Lana Wachowski, Lilly Wachowski Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss The story of Henry Hill and his life in the mob, covering his relationship with his wife Karen Hill and his mob partners Jimmy Conway and Tommy DeVito in the Italian-American crime syndicate. Martin Scorsese Ray Liotta, Joe Pesci A meek Hobbit from the Shire and eight companions set out on a journey to destroy the powerful One Ring and save Middle-earth from the Dark Lord Sauron. Ian McKellen, Orlando Bloom Edit Storyline The Godfather "Don" Vito Corleone is the head of the Corleone mafia family in New York. He is at the event of his daughter's wedding. Michael, Vito's youngest son and a decorated WW II Marine is also present at the wedding. Michael seems to be uninterested in being a part of the family business. Vito is a powerful man, and is kind to all those who give him respect but is ruthless against those who do not. But when a powerful and treacherous rival wants to sell drugs and needs the Don's influence for the same, Vito refuses to do it. What follows is a clash between Vito's fading old values and the new ways which may cause Michael to do the thing he was most reluctant in doing and wage a mob war against all the other mafia families which could tear the Corleone family apart. Written by srijanarora-152-448595 Plot Summary Plot Synopsis Taglines: An offer you can't refuse. Did You Know? Trivia John Cazale (Fredo) appeared in five feature-length movies. All five films were released during the New Hollywood era in the 1970s and each one was nominated for Best Picture. Additionally, all five were selected for preservation in the National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". See more » Goofs The exterior set-up shot for the summit meeting of all families is of the Federal Reserve Bank of New York. While this seems like an unlikely place for a "family" meeting, it's an indication of how high their influence reaches. See more » Quotes [ first lines] Bonasera: I believe in America. America has made my fortune. And I raised my daughter in the American fashion. I gave her freedom but I taught her never to dishonor her family. She found a "boy friend, " not an Italian. She went to the movies with him. She stayed out late. I didn't protest. Two months ago he took her for a drive, with another boy friend. They made her drink whiskey and then they tried to take advantage of her. She resisted. She kept her honor. So they beat her. Like an animal... [... ] See more » Crazy Credits In the end credits, Marlon Brando's name is the only one that is not accompanied by the character name that he plays (e. g. "as Vito Corleone"). See more » Alternate Versions In 1972, Paramount was owned by Gulf & Western, so that company's name appears on the opening Paramount logo. When the film was re-released in 1997, Paramount was owned by Viacom, which placed its named on the re-release Paramount logo, and all subsequent video releases. See more » Connections Referenced in Dinner for Five: Episode #1. 2 (2001) Soundtracks Non so più (1786) (uncredited) (Cherubino's Aria) from opera "Le nozze di Figaro" Act I, Scene V Music by Wolfgang Amadeus Mozart Libretto by Lorenzo da Ponte See more » Frequently Asked Questions See more » Details Release Date: 24 March 1972 (USA) Also Known As: Mario Puzo's The Godfather Box Office Budget: $6, 000, 000 (estimated) Opening Weekend USA: $302, 393, 19 March 1972 Cumulative Worldwide Gross: $246, 120, 974 See more on IMDbPro » Company Credits Technical Specs Color: Color (Technicolor) See full technical specs ».

The godfather movie review in hindi. The godfather movies123. The godfather movie list. The Godfather movie. The godfather movie font. This movie is one of the best ever made. Marlon Brando as its best beside -on the waterfront. I've never seen a man playing a role like this. so realistic and authentic. He is for me the greatest actor of all time. a young Pacino or a Robert Duvall are terrific too. Family and Italian traditions are the main themes in this movie. even lessons about life you will in this movie. it shows the strength of a American way of life.A dark history in the states are shown. The influence of criminal organizations to politics and the system are clear to see. you can put the whole movie plot to this time and it will still be effective. thats why the movie is so genius. A non true story film with true messages! strictly Art.

A Corleone family portrait. “The Godfather” is told entirely within a closed world. That’s why we sympathize with characters who are essentially evil. The story by Mario Puzo and Francis Ford Coppola is a brilliant conjuring act, inviting us to consider the Mafia entirely on its own terms. Don Vito Corleone ( Marlon Brando) emerges as a sympathetic and even admirable character; during the entire film, this lifelong professional criminal does nothing of which we can really disapprove. During the movie we see not a single actual civilian victim of organized crime. No women trapped into prostitution. No lives wrecked by gambling. No victims of theft, fraud or protection rackets. The only police officer with a significant speaking role is corrupt. The story views the Mafia from the inside. That is its secret, its charm, its spell; in a way, it has shaped the public perception of the Mafia ever since. The real world is replaced by an authoritarian patriarchy where power and justice flow from the Godfather, and the only villains are traitors. There is one commandment, spoken by Michael ( Al Pacino): “Don’t ever take sides against the family. ” It is significant that the first shot is inside a dark, shuttered room. It is the wedding day of Vito Corleone’s daughter, and on such a day a Sicilian must grant any reasonable request. A man has come to ask for punishment for his daughter’s rapist. Don Vito asks why he did not come to him immediately. “I went to the police, like a good American, ” the man says. The Godfather’s reply will underpin the entire movie: “Why did you go to the police? Why didn’t you come to me first? What have I ever done to make you treat me so disrespectfully? If you’d come to me in friendship, then this scum that ruined your daughter would be suffering this very day. And if, by chance, an honest man like yourself should make enemies... then they would become my enemies. And then they would fear you. ” As the day continues, there are two more scenes in the Godfather’s darkened study, intercut with scenes from the wedding outside. By the end of the wedding sequence, most of the main characters will have been introduced, and we will know essential things about their personalities. It is a virtuoso stretch of filmmaking: Coppola brings his large cast onstage so artfully that we are drawn at once into the Godfather’s world. The screenplay of “The Godfather” follows no formulas except for the classic structure in which power passes between the generations. The writing is subtly constructed to set up events later in the film. Notice how the request by Johnny Fontane, the failing singer, pays off in the Hollywood scenes; how his tears set up the shocking moment when a mogul wakes up in bed with what is left of his racehorse. Notice how the undertaker is told “someday, and that day may never come, I will ask a favor of you... ” and how when the day comes the favor is not violence (as in a conventional movie) but Don Vito’s desire to spare his wife the sight of their son’s maimed body. And notice how a woman’s “mistaken” phone call sets up the trap in which Sonny ( James Caan) is murdered: It’s done so neatly that you have to think back through the events to figure it out. Now here is a trivia question: What is the name of Vito’s wife? She exists in the movie as an insignificant shadow, a plump Sicilian grandmother who poses with her husband in wedding pictures but plays no role in the events that take place in his study. There is little room for women in “The Godfather. ” Sonny uses and discards them, and ignores his wife. Connie ( Talia Shire), the Don’s daughter, is so disregarded that her husband is not allowed into the family business. He is thrown a bone--”a living”--and later, when he is killed, Michael coldly lies to his sister about what happened. The irony of the title is that it eventually comes to refer to the son, not the father. As the film opens Michael is not part of the family business, and plans to marry a WASP, Kay Adams ( Diane Keaton). His turning point comes when he saves his father’s life by moving his hospital bed, and whispers to the unconscious man: “I’m with you now. ” After he shoots the corrupt cop, Michael hides in Sicily, where he falls in love with and marries Appolonia (Simonetta Stefanelli). They do not speak the same language; small handicap for a Mafia wife. He undoubtedly loves Appolonia, as he loved Kay, but what is he thinking here: that he can no longer marry Kay because he has chosen a Mafia life? After Appolonia’s death and his return to America, he seeks out Kay and eventually they marry. Did he tell her about Appolonia? Such details are unimportant to the story. What is important is loyalty to the family. Much is said in the movie about trusting a man’s word, but honesty is nothing compared to loyalty. Michael doesn’t even trust Tom Hagen ( Robert Duvall) with the secret that he plans to murder the heads of the other families. The famous “baptism massacre” is tough, virtuoso filmmaking: The baptism provides him with an airtight alibi, and he becomes a godfather in both senses at the same time. Vito Corleone is the moral center of the film. He is old, wise and opposed to dealing in drugs. He understands that society is not alarmed by “liquor, gambling... even women. ” But drugs are a dirty business to Don Vito, and one of the movie’s best scenes is the Mafia summit at which he argues his point. The implication is that in the godfather’s world there would be no drugs, only “victimless crimes, ” and justice would be dispatched evenly and swiftly. My argument is taking this form because I want to point out how cleverly Coppola structures his film to create sympathy for his heroes. The Mafia is not a benevolent and protective organization, and the Corleone family is only marginally better than the others. Yet when the old man falls dead among his tomato plants, we feel that a giant has passed. Gordon Willis ’ cinematography is celebrated for its darkness; it is rich, atmospheric, expressive. You cannot appreciate this on television because the picture is artificially brightened. Coppola populates his dark interior spaces with remarkable faces. The front-line actors--Brando, Pacino, Caan, Duvall--are attractive in one way or another, but those who play their associates are chosen for their fleshy, thickly lined faces--for huge jaws and deeply set eyes. Look at Abe Vigoda as Tessio, the fearsome enforcer. The first time we see him, he’s dancing with a child at the wedding, her satin pumps balanced on his shoes. The sun shines that day, but never again: He is developed as a hulking presence who implies the possibility of violent revenge. Only at the end is he brightly lit again, to make him look vulnerable as he begs for his life. The Brando performance is justly famous and often imitated. We know all about his puffy cheeks, and his use of props like the kitten in the opening scene. Those are actor’s devices. Brando uses them but does not depend on them: He embodies the character so convincingly that at the end, when he warns his son two or three times that “the man who comes to you to set up a meeting--that’s the traitor, ” we are not thinking of acting at all. We are thinking that the Don is growing old and repeating himself, but we are also thinking that he is probably absolutely right. Pacino plays Michael close to his vest; he has learned from his father never to talk in front of outsiders, never to trust anyone unnecessarily, to take advice but keep his own counsel. All of the other roles are so successfully filled that a strange thing happened as I watched this restored 1997 version: Familiar as I am with Robert Duvall, when he first appeared on the screen I found myself thinking, “There’s Tom Hagen. ” Coppola went to Italy to find Nino Rota, composer of many Fellini films, to score the picture. Hearing the sadness and nostalgia of the movie’s main theme, I realized what the music was telling us: Things would have turned out better if we had only listened to the Godfather. Roger Ebert Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism. The Godfather (1972) Rated R 175 minutes about 21 hours ago 1 day 2 days ago.

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Critics Consensus One of Hollywood's greatest critical and commercial successes, The Godfather gets everything right; not only did the movie transcend expectations, it established new benchmarks for American cinema. 98% TOMATOMETER Total Count: 95 Audience Score User Ratings: 733, 499 The Godfather Ratings & Reviews Explanation The Godfather Videos Photos Movie Info Popularly viewed as one of the best American films ever made, the multi-generational crime saga The Godfather is a touchstone of cinema: one of the most widely imitated, quoted, and lampooned movies of all time. Marlon Brando and Al Pacino star as Vito Corleone and his youngest son, Michael, respectively. It is the late 1940s in New York and Corleone is, in the parlance of organized crime, a "godfather" or "don, " the head of a Mafia family. Michael, a free thinker who defied his father by enlisting in the Marines to fight in World War II, has returned a captain and a war hero. Having long ago rejected the family business, Michael shows up at the wedding of his sister, Connie (Talia Shire), with his non-Italian girlfriend, Kay (Diane Keaton), who learns for the first time about the family "business. " A few months later at Christmas time, the don barely survives being shot by gunmen in the employ of a drug-trafficking rival whose request for aid from the Corleones' political connections was rejected. After saving his father from a second assassination attempt, Michael persuades his hotheaded eldest brother, Sonny (James Caan), and family advisors Tom Hagen (Robert Duvall) and Sal Tessio (Abe Vigoda) that he should be the one to exact revenge on the men responsible. After murdering a corrupt police captain and the drug trafficker, Michael hides out in Sicily while a gang war erupts at home. Falling in love with a local girl, Michael marries her, but she is later slain by Corleone enemies in an attempt on Michael's life. Sonny is also butchered, having been betrayed by Connie's husband. As Michael returns home and convinces Kay to marry him, his father recovers and makes peace with his rivals, realizing that another powerful don was pulling the strings behind the narcotics endeavor that began the gang warfare. Once Michael has been groomed as the new don, he leads the family to a new era of prosperity, then launches a campaign of murderous revenge against those who once tried to wipe out the Corleones, consolidating his family's power and completing his own moral downfall. Nominated for 11 Academy Awards and winning for Best Picture, Best Actor (Marlon Brando), and Best Adapted Screenplay, The Godfather was followed by a pair of sequels. ~ Karl Williams, Rovi Rating: R (N/A) Genre: Drama Directed By: Written By: In Theaters: Mar 24, 1972 wide On Disc/Streaming: Oct 9, 2001 Runtime: 175 minutes Studio: Paramount Pictures Cast News & Interviews for The Godfather Critic Reviews for The Godfather Audience Reviews for The Godfather The Godfather Quotes Movie & TV guides.

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The film the godfather is the film that rocked my childhood. I grew up with the replicas of marlon brando. My children are also addicted to the godfather trilogy. The Godfather Watch Online, Watch The Godfather Live Stream, Watch Online The Godfather, Watch The Godfather Online Full, The Godfather Full Length, The Godfather Online Stream. The godfather movie download. The godfather movie free download. MOVIES 8:34 AM PDT 3/15/2017 by Photofest Al Martino (left) and Marlon Brando in 1972's 'The Godfather' Essentially, 'The Godfather' is the projection of a myth, not a fact. But it is myths — not facts — that make a fortune. On March 15, 1972, The Godfather was unveiled in theaters in New York City. The Francis Ford Coppola film would go on to win three Oscars at the 45th Academy Awards, including best picture. The Hollywood Reporter's original review is below. Reducing a fat, thick, best-selling novel to manageable screenplay terms has always been a major problem for any filmmaker blessed (or cursed) with the assignment. What do you include? What do you leave out? Perhaps even more important, how do you cast to anticipate the expectations of the millions who have already read the book? The best answer to these knotty problems would seem to have been provided by producer Albert S. Ruddy on this almost three-hour version of Mario Puzo's The Godfather. You cut where you can, condense where you can, and cast for excitement rather than any preconceptions of how each character should look. Otherwise, how do you get Marlon Brando for the titular role? Brando, with the first part that he would really sink his teeth into in years, emerges as the hero of this production. Spanning a quarter of a century, the film traces the career of this (forgive me) Mafia capo from the years of his undisputed ascendancy immediately after World War II, when he indignantly refuses to become part of the growing traffic in drugs, to his dignified stepping down late in the '50s to make room for his youngest son. In a marvelously inventive and affecting scene, Brando turns from the godfather to grandfather — and dies in the process. Not far behind him is Al Pacino, last seen in Panic in Needle Park, and virtually a double for Dustin Hoffman. As the youthful Michael Corleone, destined to inherit the mantle of the Godfather, he progresses convincingly from a naive, decorated G. I. just returned to the bosom of his family to a nerveless, ruthless killer in sole charge of a domain that comes to include drugs, prostitution, Las Vegas gambling and political fixes. His multifaceted portrayal should catapult him to stardom. But even though each of the featured roles in The Godfather has been cast to perfection — with veterans like James Caan, Richard Castellano, Robert Duvall, Sterling Hayden, John Marley and Richard Conte playing them — the strength of the Mario Puzo-Francis Ford Coppola script is the unbelievable interaction of all these characters as they span the years. Without undue emphasis, it shows the closeness, the warmth of family ties. The scenes are filled with wives and squalling babies, festive weddings and equally festive funerals, spaghetti prepared in the kitchen... There is the flavor of Italian home life that few gangster films have attempted. At the same time, there is also a specificity in the persona that few films have dared. Which crooner was separated from whose orchestra on a friendly suggestion from the Godfather? And which movie producer was induced to hire him for a war movie by finding the head of his favorite horse in bed with him one morning? (Here, literary hyperbole may have embellished the facts, but it makes an effective, blood-curdling scene. ) Director Francis Ford Coppola, with a strong assist from cameraman Gordon Willis, has done an extraordinary job of capturing period and place. Very few of the New York exteriors appear to be stock shots; most have been re-created with an incredible attention to detail. Interiors have the rich, burnt-umber look of photographs taken decades ago; while the exteriors — whether representing a garden party in New Jersey or an amorous interlude in Sicily — are drenched with color and sun. A "Dean Martin & Jerry Lewis" billboard in Vegas or "Have Yourself a Merry Little Christmas" on the soundtrack (while a gangster dons his bulletproof vest) also add their own wry grace notes to the passing years. This is a curious film. One comes to understand, even to condone, the activities of the Godfather and his clan. And even though it frankly portrays the underworld's influence in the sacrosanct worlds of Hollywood and Las Vegas, there is the feeling that, with young Michael there, these will be better worlds. Essentially, The Godfather is the projection of a myth, not a fact. But it is myths — not facts — that make a fortune. — Arthur Knight, originally published on March 8, 1972 Twitter: @THRArchives.

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